2019

Zelouf & Bell’s “Here, on the edge of what we know” Cocktail Cabinet is inspired by Italian physicist Carlo Rovelli’s book Seven Brief Lessons on Physics, with a cosmos of mother of pearl stars and planets inlaid in silvery blue ripple sycamore, concealed handles, with brass rails and base, polished stainless steel back panel, profiled adjustable height shelving on traditionally made sawtooth shelf supports, three drawers which open by touch featuring Irish goatskin vellum drawer bottoms, mother of pearl-inlaid tray with brass handles, dimmable LED lighting.

H1880 x W900 x D450mm

Photos by Roland Paschhoff

2019

Zelouf & Bell’s “Here, on the edge of what we know” Cocktail Cabinet is inspired by Italian physicist Carlo Rovelli’s book Seven Brief Lessons on Physics, with a cosmos of mother of pearl stars and planets inlaid in silvery blue ripple sycamore, concealed handles, with brass rails and base, polished stainless steel back panel, profiled adjustable height shelving on traditionally made sawtooth shelf supports, three drawers which open by touch featuring Irish goatskin vellum drawer bottoms, mother of pearl-inlaid tray with brass handles, dimmable LED lighting.

H1880 x W900 x D450mm

Photos by Roland Paschhoff

2019

Zelouf & Bell’s “Here, on the edge of what we know” Cocktail Cabinet is inspired by Italian physicist Carlo Rovelli’s book Seven Brief Lessons on Physics, with a cosmos of mother of pearl stars and planets inlaid in silvery blue ripple sycamore, concealed handles, with brass rails and base, polished stainless steel back panel, profiled adjustable height shelving on traditionally made sawtooth shelf supports, three drawers which open by touch featuring Irish goatskin vellum drawer bottoms, mother of pearl-inlaid tray with brass handles, dimmable LED lighting.

H1880 x W900 x D450mm

Photos by Roland Paschhoff

2021

Zelouf & Bell’s Blue Serpent Cocktail Cabinet, second in a series of Fabergé-inspired cabinets, features a marquetry serpent in brass and mother of pearl, inlaid in cobalt blue figured eucalyptus, with a hand rubbed, high gloss lacquer finish. The cocktail cabinet, a dialogue between past and present, takes its cue from a vivid blue enamelled Faberge cigarette case, itself inlaid with gold and diamonds, a love token given to King Edward VII by his favourite mistress, Mrs. George Keppel, in 1908. The sinuous diamond-set snake biting its tail is a symbol of unbroken and everlasting love.

Lockable doors (with concealed handles) open to reveal traditionally made, curved chamfered adjustable height shelving, charcoal shagreen bar top, and a drawer featuring a section of marquetry serpent; the drawer, lined with shagreen, houses a tray inlaid with a golden baby serpent section and patinated brass handles. The interior cabinet back has a gold and ivory crackled finish; interior doors are fitted with shelves and retaining brass rails to store and display bottles. Photos by Roland Paschhoff

H66.75” x W36” x D19.7” | H1695 x W920 x D500mm

2021

Zelouf & Bell’s Koi Pond in the Snow and Rain Cabinet is a magical slice of wintery pond in sapphire ripple sycamore, with marquetry in pressure-dyed timbers including grey and ivory anegre, ebony, red birch, orange bolivar, yellow koto, with a secondary top and interior bar top in charcoal shagreen, with a patinated bronze base. Hand rubbed high gloss lacquer finish. Photo by Roland Paschhoff.

H42.5” x W36” x D16” | H1080 x W910 x D400mm

2018

Unique piece

Zelouf & Bell’s Jaguar and the Crow Cocktail Cabinet seems to spring from the mythical past, part jungle, part Gatsby-era party. The Makassar ebony cabinet is inlaid with a wrap-around burr walnut branch upon which a marquetry crow is perched, keeping watch over the figured mahogany and bolivar jaguar, a stylised Jouve beast, baring its mother of pearl teeth, flashing a mother of pearl eye. The Makassar ebony interior features a charcoal shagreen bar-top above a drawer which opens by touch, concealing a shagreen tray. A dreamy stainless steel panel mirrors the /barware; vivid graphic absinthe bottles tattoo the interior doors, as if emerging from some Art Deco-era wild soiree. The cabinet’s handles are concealed in the burr branch; a chrome-plated solid brass plinth elevates it. Hand rubbed high gloss lacquer finish. Photos by Roland Paschhoff

W21.25” (54cm) x D13.5” (34cm) x H67” (170cm)

2018

Unique piece

Zelouf & Bell’s Jaguar and the Crow Cocktail Cabinet seems to spring from the mythical past, part jungle, part Gatsby-era party. The Makassar ebony cabinet is inlaid with a wrap-around burr walnut branch upon which a marquetry crow is perched, keeping watch over the figured mahogany and bolivar jaguar, a stylised Jouve beast, baring its mother of pearl teeth, flashing a mother of pearl eye. The Makassar ebony interior features a charcoal shagreen bar-top above a drawer which opens by touch, concealing a shagreen tray. A dreamy stainless steel panel mirrors the /barware; vivid graphic absinthe bottles tattoo the interior doors, as if emerging from some Art Deco-era wild soiree. The cabinet’s handles are concealed in the burr branch; a chrome-plated solid brass plinth elevates it. Hand rubbed high gloss lacquer finish. Photos by Roland Paschhoff

W21.25” (54cm) x D13.5” (34cm) x H67” (170cm)

2018

Unique piece

Zelouf & Bell’s Jaguar and the Crow Cocktail Cabinet seems to spring from the mythical past, part jungle, part Gatsby-era party. The Makassar ebony cabinet is inlaid with a wrap-around burr walnut branch upon which a marquetry crow is perched, keeping watch over the figured mahogany and bolivar jaguar, a stylised Jouve beast, baring its mother of pearl teeth, flashing a mother of pearl eye. The Makassar ebony interior features a charcoal shagreen bar-top above a drawer which opens by touch, concealing a shagreen tray. A dreamy stainless steel panel mirrors the /barware; vivid graphic absinthe bottles tattoo the interior doors, as if emerging from some Art Deco-era wild soiree. The cabinet’s handles are concealed in the burr branch; a chrome-plated solid brass plinth elevates it. Hand rubbed high gloss lacquer finish. Photos by Roland Paschhoff

W21.25” (54cm) x D13.5” (34cm) x H67” (170cm)

2018

Serpents Bar Cart

2019

Zelouf & Bell’s Ginkgo Cabinet, inspired by a Faberge cigarette case inlaid with gold and diamonds, functions as both a cocktail cabinet above and a games cabinet below. Lockable tri-fold doors in silvery blue pressure-dyed ripple sycamore inlaid with brass and mother of pearl ginkgo, open (with concealed handles) to reveal traditionally made, curved chamfered adjustable height shelving, quartz bar top, dimmable LED lighting. The drawer, lined with bronze gold lamb nappa, housed a tray inlaid with brass Napoleonic bees, with brass handles. Hand rubbed high gloss lacquer finish. Photos by Roland Paschhoff

H1900 x W1100 x D450mm

2019

Zelouf & Bell’s Ginkgo Cabinet, inspired by a Faberge cigarette case inlaid with gold and diamonds, functions as both a cocktail cabinet above and a games cabinet below. Lockable tri-fold doors in silvery blue pressure-dyed ripple sycamore inlaid with brass and mother of pearl ginkgo, open (with concealed handles) to reveal traditionally made, curved chamfered adjustable height shelving, quartz bar top, dimmable LED lighting. The drawer, lined with bronze gold lamb nappa, housed a tray inlaid with brass Napoleonic bees, with brass handles. Hand rubbed high gloss lacquer finish. Photos by Roland Paschhoff

H1900 x W1100 x D450mm

2018

One serpent leads to another: our Serpents Champagne Cooler with concealed drawers housing a set of eight serpent coasters led to a client commissioning a generous bar cart with the same motif: a tangle of baby serpents (in grey/green ripple sycamore inlaid in a background of hedge green bird’s eye maple) with chrome-plated solid brass hardware, concealed castors and pull out shelves in vivid purple crushed quartz. Hand rubbed satin lacquer finish. Available in custom materials.

L39.5” (100cm) x D24” (60cm) x H30” (76cm)

Photos by Roland Paschhoff

2018

One serpent leads to another: our Serpents Champagne Cooler with concealed drawers housing a set of eight serpent coasters led to a client commissioning a generous bar cart with the same motif: a tangle of baby serpents (in grey/green ripple sycamore inlaid in a background of hedge green bird’s eye maple) with chrome-plated solid brass hardware, concealed castors and pull out shelves in vivid purple crushed quartz. Hand rubbed satin lacquer finish. Available in custom materials.

L39.5” (100cm) x D24” (60cm) x H30” (76cm)

Photos by Roland Paschhoff

2018

Unique piece

Zelouf & Bell’s Torii bar is a response to our client’s provocative brief: design a cocktail cabinet in which Japonisme meets Modernism meets Arts and Crafts. In black bolivar, red birch, white figured anegre, grey ripple sycamore, yellow and celedon tay, gold leaf, cast bronze bamboo, brass, shagreen, celadon leather. Traditional joinery, marquetry, dimmable LED lighting. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish.

Tori top: L64” (163cm)

Cabinet: L39.5” (100cm) x D20” (50cm) x H62” (158cm)

Photos by Roland Paschhoff

2018

Unique piece

Zelouf & Bell’s Torii bar is a response to our client’s provocative brief: design a cocktail cabinet in which Japonisme meets Modernism meets Arts and Crafts. In black bolivar, red birch, white figured anegre, grey ripple sycamore, yellow and celedon tay, gold leaf, cast bronze bamboo, brass, shagreen, celadon leather. Traditional joinery, marquetry, dimmable LED lighting. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish.

Tori top: L64” (163cm)

Cabinet: L39.5” (100cm) x D20” (50cm) x H62” (158cm)

Photos by Roland Paschhoff

2018

Unique piece

Zelouf & Bell’s Torii bar is a response to our client’s provocative brief: design a cocktail cabinet in which Japonisme meets Modernism meets Arts and Crafts. In black bolivar, red birch, white figured anegre, grey ripple sycamore, yellow and celedon tay, gold leaf, cast bronze bamboo, brass, shagreen, celadon leather. Traditional joinery, marquetry, dimmable LED lighting. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish.

Tori top: L64” (163cm)

Cabinet: L39.5” (100cm) x D20” (50cm) x H62” (158cm)

Photos by Roland Paschhoff

2018

Unique piece

Zelouf & Bell’s Torii bar is a response to our client’s provocative brief: design a cocktail cabinet in which Japonisme meets Modernism meets Arts and Crafts. In black bolivar, red birch, white figured anegre, grey ripple sycamore, yellow and celedon tay, gold leaf, cast bronze bamboo, brass, shagreen, celadon leather. Traditional joinery, marquetry, dimmable LED lighting. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish.

Tori top: L64” (163cm)

Cabinet: L39.5” (100cm) x D20” (50cm) x H62” (158cm)

Photos by Roland Paschhoff

2017

Edition of 6 + AP.

Zelouf & Bell’s Stella’d Cocktail Cabinet riffs on graphic optical patterns we’ve been playing with, its fumed figured eucalyptus exterior and interior doors inlaid with ripple sycamore, grounded on a wenge plinth. Its shape echoes Frank Stella’s painting on ply, 6 Mile Bottom, in the Tate Modern. A kind of deep cross, its scale encourages a party, the mesmerising pattern deepening the heady effects of cocktails. The centre drawer features an inlaid tray with brass handles, lambskin drawer bottom; the drawers either side are lined with cream lambskin. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

W860 x D450 x H1650mm

Photos by Roland Paschhoff

2017

Edition of 6 + AP.

Zelouf & Bell’s Stella’d Cocktail Cabinet riffs on graphic optical patterns we’ve been playing with, its fumed figured eucalyptus exterior and interior doors inlaid with ripple sycamore, grounded on a wenge plinth. Its shape echoes Frank Stella’s painting on ply, 6 Mile Bottom, in the Tate Modern. A kind of deep cross, its scale encourages a party, the mesmerising pattern deepening the heady effects of cocktails. The centre drawer features an inlaid tray with brass handles, lambskin drawer bottom; the drawers either side are lined with cream lambskin. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

W860 x D450 x H1650mm

2016

Limited edition of 3 pieces + AP

A poetic cocktail cabinet in figured mahogany, riffing on rich reflective surfaces inspired by Ireland’s coast; the wing of a bird, a glint of sun off rain-slicked rock, the mutable tide, stone, with a reflective hand rubbed high gloss lacquer finish. A textured, patinated bronze hen pheasant, a small wild thing by Irish sculptor Cheryl Brown is mounted on one of the asymmetrical doors, pausing at the long channel handle, as if it wandered from its world into ours. The bronze hen seems almost unfinished; our eyes fill in the detail the sculptor leaves out. In contrast, the cabinet's ripple sycamore interior is articulate, refined, formal; fragments of exquisitely detailed marquetry feathers are inlaid in a graphic pattern feature on the left and right drawer fronts, and, more expansively, on the tray inside the middle drawer. Dimmable LED lighting is fitted in the upper interior section, illuminating the inside of the cabinet upon opening. Ivory shagreen work top, leather-lined drawers, aged brass rails. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish. Available in a selection of materials/finishes/dimensions.

W 37.5” (95cm) x D22” (56cm) x H74” (188cm)

Photos by Roland Paschhoff

2016

Limited edition of 3 pieces + AP

A poetic cocktail cabinet in figured mahogany, riffing on rich reflective surfaces inspired by Ireland’s coast; the wing of a bird, a glint of sun off rain-slicked rock, the mutable tide, stone, with a reflective hand rubbed high gloss lacquer finish. A textured, patinated bronze hen pheasant, a small wild thing by Irish sculptor Cheryl Brown is mounted on one of the asymmetrical doors, pausing at the long channel handle, as if it wandered from its world into ours. The bronze hen seems almost unfinished; our eyes fill in the detail the sculptor leaves out. In contrast, the cabinet's ripple sycamore interior is articulate, refined, formal; fragments of exquisitely detailed marquetry feathers are inlaid in a graphic pattern feature on the left and right drawer fronts, and, more expansively, on the tray inside the middle drawer. Dimmable LED lighting is fitted in the upper interior section, illuminating the inside of the cabinet upon opening. Ivory shagreen work top, leather-lined drawers, aged brass rails. Hand rubbed gloss lacquer finish exterior, with a satin lacquer interior finish. Available in a selection of materials/finishes/dimensions.

W 37.5” (95cm) x D22” (56cm) x H74” (188cm)

Photos by Roland Paschhoff

2014

Limited edition of 3 pieces + AP

A luxurious custom freestanding bow-fronted cocktail cabinet/bar, incorporating a wine cooler and ample storage for bottles and glasses in selected silvery grey tone-on-tone ripple sycamore inlaid with polished aluminium, with an iced koto and mirrored interior. A pair of shimmering acid-etched steel lace panels both conceal and reveal what is behind, a nod to Fortuny. Four drawers lined with violet leather open by touch; cabinets have adjustable height shelving. Aluminium rails, dimmable LED lighting, amethyst gemstone bar top. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W118” (300cm) x D24” (60cm) x H83” (210cm)

Photos by Roland Paschhoff

2017

Limited edition of 3 pieces + AP

A sculptural, poetic cocktail cabinet in figured mahogany, riffing on rich reflective surfaces inspired by Ireland’s coast; the wing of a bird, a glint of sun off rain-slicked rock, the mutable tide, stone, with a feathery quality in the timber’s figure. The cabinet's ripple sycamore interior is articulate, refined, formal; fragments of exquisitely detailed marquetry hen pheasant feathers inlaid in a graphic pattern feature on the left and right drawer fronts, and, more expansively, on the tray inside the middle drawer.

The cabinet, set on a waxed brass plinth, offers ample storage for bottles, with aged brass rails. Variable height shelving (with traditional shelf supports), ivory shagreen bar top and leather-lined drawers which open by touch. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W37.5” (95cm) x D22” (56cm) x H74” (188cm)

Photos by Roland Paschhoff

2017

Limited edition of 3 pieces + AP

A sculptural, poetic cocktail cabinet in figured mahogany, riffing on rich reflective surfaces inspired by Ireland’s coast; the wing of a bird, a glint of sun off rain-slicked rock, the mutable tide, stone, with a feathery quality in the timber’s figure. The cabinet's ripple sycamore interior is articulate, refined, formal; fragments of exquisitely detailed marquetry hen pheasant feathers inlaid in a graphic pattern feature on the left and right drawer fronts, and, more expansively, on the tray inside the middle drawer.

The cabinet, set on a waxed brass plinth, offers ample storage for bottles, with aged brass rails. Variable height shelving (with traditional shelf supports), ivory shagreen bar top and leather-lined drawers which open by touch. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W37.5” (95cm) x D22” (56cm) x H74” (188cm)

Photos by Roland Paschhoff

2018

Get all lacquered up with Zelouf & Bell’s Kiku Tray…it’s Happy Hour 24/7! In selected pressure-dyed timber and chrome-plated solid brass. Photo by Roland Paschhoff

2015

Limited edition of 6 + AP

Zelouf & Bell’s Stones in a Pond in black bolivar features a graphic motif, inlaid with metal (aluminium or brass) in an optical pattern, inspired by Kansai Yamamoto’s 1973 ‘Tokyo Pop’ vinyl jumpsuit for David Bowie’s Aladdin Sane tour; Yamamoto based it on Oskar Schlemmer’s Bauhaus ballet costume from the Triadisches Ballett. With concealed handles; patinated hinges allow the glistening doors to completely fold back to reveal figured white anegre, black shagreen bar top, leather-lined drawers. The top of the cabinet’s oil-filled rotary damper allows it to fall slowly closed. The cabinet sits on a stainless steel or brass base. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W31 3/4” (80cm) x D17” (43cm) x H55” (140cm)

Photos by Roland Paschhoff

2015

Limited edition of 6 + AP

Zelouf & Bell’s Stones in a Pond in black bolivar features a graphic motif, inlaid with metal (aluminium or brass) in an optical pattern, inspired by Kansai Yamamoto’s 1973 ‘Tokyo Pop’ vinyl jumpsuit for David Bowie’s Aladdin Sane tour; Yamamoto based it on Oskar Schlemmer’s Bauhaus ballet costume from the Triadisches Ballett. With concealed handles; patinated hinges allow the glistening doors to completely fold back to reveal figured white anegre, black shagreen bar top, leather-lined drawers. The top of the cabinet’s oil-filled rotary damper allows it to fall slowly closed. The cabinet sits on a stainless steel or brass base. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W31 3/4” (80cm) x D17” (43cm) x H55” (140cm)

Photos by Roland Paschhoff

2018

Limited edition of 6 + AP

Zelouf & Bell’s Stones in a Pond in highly figured rose pink ripple sycamore features a graphic motif, inlaid with brass in an optical pattern, inspired by Kansai Yamamoto’s 1973 ‘Tokyo Pop’ vinyl jumpsuit for David Bowie’s Aladdin Sane tour; Yamamoto based it on Oskar Schlemmer’s Bauhaus ballet costume from the Triadisches Ballett. With concealed handles; patinated hinges allow the glistening doors to completely fold back to reveal figured ripple sycamore, ivory shagreen bar top, leather-lined drawers. The top of the cabinet’s oil-filled rotary damper allows it to fall slowly closed. The cabinet sits on a brass base. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W33” (84cm) x D18.5” (47cm) x H55” (140cm)

Photos by Roland Paschhoff

2015

Limited edition of 6 + AP

Zelouf & Bell’s Stones in a Pond Cocktail Cabinet in fumed figured eucalyptus features a graphic motif, inlaid with brass in an optical pattern, inspired by Kansai Yamamoto’s 1973 ‘Tokyo Pop’ vinyl jumpsuit for David Bowie’s Aladdin Sane tour; Yamamoto based it on Oskar Schlemmer’s Bauhaus ballet costume from the Triadisches Ballett. With concealed handles; patinated hinges allow the glistening doors to completely fold back to reveal highly figured ripple sycamore, an ivory shagreen bar top, leather-lined drawers. The top of the cabinet’s oil-filled rotary damper allows it to fall slowly closed. The cabinet sits on a brass base. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W31 3/4” (80cm) x D16” (41cm) x H50” (127cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 + AP

Pressure-dyed sapphire ripple sycamore inlaid with aluminium, with concealed handles, figured ivory anegre, sapphire stone-amalgam bar top, polished aluminium rails, sterling silver jeweller-made drawer pulls, silver leather drawer bottoms. The top of the cabinet’s oil-filled rotary damper allows it to fall slowly closed. The cabinet sits on a mirror-finished stainless steel base. Hand rubbed satin lacquer finish. Available in a selection of materials/finishes/dimensions.

W31” (78cm) x D17” (43cm) x H49.5” (125.5cm)

Photos by Roland Paschhoff

2012

Unique piece

Inspired by Irish artist Sean Scully’s Wall of Light series, this wall-mounted drinks cabinet uses a palette of pressure-dyed woods in varying thicknesses, referring to Scully’s application of paint and to the Irish landscape, an abutment of walls and fields. The piece’s title ‘Scullied’ is applied here as a verb, a term of our own invention, meaning the act of getting drunk, fluttered/langered/scuttered. Scully discusses the relationship between alcohol, art and the artist in “A Mudpit of His Own Making”. Selected pressure-dyed veneer including iced koto, blue bolivar, grey oak, Makassar ebony, grey tay, black birch, wenge, smoked oak. A lower flap opens to form a surface upon which to make a drink; the cabinet doors open to reveal an iced koto interior and a striped drawer. Hand rubbed satin lacquer finish.

W27” (69cm) x D6.3” (16cm) x H32.25” (82cm)

Photos by Roland Paschhoff

2016

Unique piece

The Riley’d Cabinet in black boliviar with ivory figured anegre is the second in Zelouf & Bell’s series of artist-inspired wall-mounted drinks cabinets. Here, the door refers to Bridget Riley’s Kiss; inside, a small drawer punctuates the white interior with a Riley optical pattern fragment in black and white. A lower flap opens to form a surface upon which to make a drink; adjustable height shelves and ivory leather drawer bottom. Hand rubbed satin lacquer finish.

L31.5” (80cm) x D5” (12cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2016

Limited edition of 6 + AP

The footprint of Zelouf & Bell’s Normandie Bar Cart is inspired by the legendary streamline moderne luxury vessel SS Normandie and the Normandie Hotel in San Juan. Shown here in Makassar ebony or vintage Rio rosewood, with custom mirror-finish stainless steel hardware. Curved steel rails wrap around the cart’s curves and act as handles; matte acrylic pull-out bar tops are available in a choice of vivid colours or shagreen. Hand rubbed satin lacquer finish.

L39.5” (100cm) x D24” (60cm) x H30” (76cm)

Photos by Roland Paschhoff

2017

Limited edition of 10 + AP

Zelouf & Bell’s Serpent in a Maze Champagne Cart plays with pattern on pattern, combining traditional marquetry with contemporary printing. Based on the world’s largest maze in Reignac-sur-Indre, the marquetry pattern uses hedge green bird’s eye maple and green/grey ripple sycamore; the tattoo diamond-back python is from a vintage illustration by Gottfried Honegger, ca. 1788. Chrome-plated brass hardware, concealed castors. Available in a selection of pressure-dyed and natural timbers/custom sizes and hardware. Hand rubbed satin lacquer finish.

Diameter 20” (50cm) x H29.5” (75cm)

Photos by Roland Paschhoff

2018

Edition of 8 pieces + AP

Designed as a companion piece to Zelouf & Bell’s Serpent in a Maze Champagne Cart (though not meant to be placed on it), the Serpent Champagne Cooler in hedge green bird’s eye maple features a graphic marquetry serpent motif inlaid in figured muted grey/green ripple sycamore, the scales of each serpent a subtle delineation. An insulated bespoke stainless steel cooler sits into the marquetry chest; lift out the steel cooler by its handles to empty the ice. The serpent chest features secret handles (pinned with sterling silver) and concealed drawers either end at the base, storing a set of eight coasters, each with a unique serpent marquetry motif. The chest sits on ink faux shagreen feet. Hand rubbed satin lacquer finish. Available in a selection of materials and finishes.

L14” (35.5cm) x W8” (20cm) x H10” (26cm)

Photos by Roland Paschhoff

2017

Limited edition of 10 + AP

Zelouf & Bell’s Spyglass Champagne Cart in black bolivar with citrine tay or pink bird’s eye maple graphic marquetry and powder coated solid brass hardware was first designed for two-Michelin starred Restaurant Patrick Guilbaud at Dublin’s five star Merrion Hotel. Available in a selection of pressure-dyed and natural timbers/custom sizes and hardware. Hand rubbed satin lacquer finish.

Diameter 20” (50cm) x H29.5” (75cm)

Photos by Roland Paschhoff

2021

A three-door cabinet in black bolivar to house a television, both functional and poetic, touching on the night sky O’Keefe looked up at from her adobe in Abiquiú, New Mexico as well as a portrait taken by Stieglitz, as if emerging from the embrace of the dark skies surrounding her beloved New Mexico adobe.

The back of the cabinet is inlaid with a mother of pearl constellation, offset, a nod to a quote from Carlo Rovelli’s book Seven Brief Lessons in Physics: “Here, on the edge of what we know, in contact with the ocean of the unknown, shines the mystery and the beauty of the world. And it’s breathtaking.”

The top of the cabinet is in charcoal shagreen; patinated bronze legs are fitted with recessed adjustable height feet. Photos by Roland Paschhoff

H45” x W38.5” x D15” | H1140 x W980 x D380mm

2018

Unique piece

Zelouf & Bell’s Kiku Cabinets are companion pieces to the Kimono Cabinet, and live across from it, either side of an AGA, used as larders. Taking its cue from vintage kimono fabric and pop artists Takashi Murakami and Warhol, both of whom play with chrysanthemum as subject, the Kiku Cabinets, in selected pressure-dyed timber, are lacquered in high gloss red, orange and fuchsia. with red bolivar interior/drawers; a carved channel one side of the door acts as handle.

H1450 x D550 x W550mm

Photo by Roland Paschhoff

2018

Unique piece

Zelouf & Bell’s Kiku Cabinets are companion pieces to the Kimono Cabinet, and live across from it, either side of an AGA, used as larders. Taking its cue from vintage kimono fabric and pop artists Takashi Murakami and Warhol, both of whom play with chrysanthemum as subject, the Kiku Cabinets, in selected pressure-dyed timber, are lacquered in high gloss red, orange and fuchsia. with red bolivar interior/drawers; a carved channel one side of the door acts as handle.

H1450 x D550 x W550mm

Photo by Roland Paschhoff

2015

Limited edition of 6 pieces + AP

Bespoke super glam! Three-door Glimmer Cabinet in smoked oak, inlaid with brass; doors open by touch. Hand rubbed gloss lacquer finish. Available in custom sizes/materials/finishes.

L59” (150cm) x D16” (40cm) x H32” (80cm)

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Zelouf+Bell's Othello Credenza features an intricate graphic marquetry motif wrapping around the sides of the cabinet, across the doors, either side of the Makassar ebony drawers. 22,000 Makassar ebony triangles are inlaid by hand in a starburst pattern, using a scalpel. Makassar ebony, pale pink ripple sycamore interior, pink lambskin drawer bottoms, aged brass feet. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L65” (165cm) x D19 3/4” (50cm) x H30” (76cm)

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Zelouf+Bell's Othello Credenza features an intricate graphic marquetry motif wrapping around the sides of the cabinet, across the doors, either side of the Makassar ebony drawers. 22,000 Makassar ebony triangles are inlaid by hand in a starburst pattern, using a scalpel. Makassar ebony, pale pink ripple sycamore interior, pink lambskin drawer bottoms, aged brass feet. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L65” (165cm) x D19 3/4” (50cm) x H30” (76cm)

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Zelouf+Bell's Othello Credenza features an intricate graphic marquetry motif wrapping around the sides of the cabinet, across the doors, either side of the Makassar ebony drawers. 22,000 Makassar ebony triangles are inlaid by hand in a starburst pattern, using a scalpel. Makassar ebony, pale pink ripple sycamore interior, pink lambskin drawer bottoms, aged brass feet. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L65” (165cm) x D19 3/4” (50cm) x H30” (76cm)

Photos by Roland Paschhoff

2014

Unique piece

A savvy Dublin client who collects art, armaments, and rare books ​commissions our work in threes; the Sakura Cabinet was designed to hour a collection of book. In quarter-cut wenge, with a large door panel of mouth-blown, acid-etched, hand-engraved cherry blossom motif custom art glass, cased in white crystal and backlit with dimmable LED’s. Hand rubbed oil finish.

W33.5” (85cm) x D15 3/4” (40cm) x H69” (175cm)

Photos by Roland Paschhoff

2018

Edition of 6 + 1AP

Zelouf & Bell’s 2-door Constellation Cabinet in a dusty pink-infused grey bird’s eye maple features a delicate web of tone-on-tone marquetry in pink ripple sycamore, with a secondary top in rose quartz and a pink ripple sycamore interior with variable height shelves. A chrome-plated solid brass stretcher punctuates the timber base.

L39.5” square x D13.75” x H31.5” | L1000 mm square x D350 x H800 mm

Photo by Roland Paschhoff

2015

Limited edition of 6 pieces + AP

Inspired by a Japanese tenugui (rectangles of fabric used as hand towels and wrapping), Cranes in a Row noir in black Bolivar features marquetry in figured white anegre, grey ripple sycamore, red birch, yellow koto, ebony. Hand rubbed gloss lacquer finish. Available in custom sizes/materials/finishes.
L35.5” (90cm) x D14” (35cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2013

Unique piece

Commissioned by a collector client to house her bakeware: bundt pans, cake tins, cookie trays. Inspired by our client's love of Rothko paintings and Japanese armaments (Samurai used fans to signal to their fighters), the cabinet serves as a sculptural splash of colour in a neutral, contemporary kitchen. The cabinet's orange birch interior, plinth and drawer bottoms feature marquetry in a David Hicks fabric pattern called 'Kyoto Shrine', a reference to the wonderfully detailed patterns in the silk lining of traditional Japanese kimonos and a nod to our association with Galerie David Hicks in Paris. The fan is dimensional; carved, lacquered drawer fronts allude to folds of kimono fabric. In pressure-dyed timbers including orange bolivar, red birch, carved and lacquered solid walnut, palladium leaf.

W43.25” (110cm) x D18” (45cm) x 62” (158cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 pieces + AP

A nod to Eileen Gray’s iconic 1925 black lacquered screen, Zelouf & Bell’s Curved Briques Sideboard is composed of Makassar ebony ‘bricks’ pinned with polished aluminium rods. Like an undertow, the subtle undulation across the front confers a sense of movement. Hand rubbed gloss lacquer finish. Available in custom sizes/materials/finishes.
L83” (210cm) x D18” (45cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2013

Limited edition of 6 pieces + AP

A nod to Eileen Gray’s iconic 1925 black lacquered screen, Zelouf & Bell’s rectilinear Briques Sideboard is composed of smoked oak ‘bricks’ pinned with polished aluminium rods. Like an undertow, the subtle undulation across the front confers a sense of movement. Hand rubbed gloss lacquer finish. Available in custom sizes/materials/finishes.

L106” (270cm) x D19.5” (45cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Deepening our personal vocabulary of contemporary marquetry, we superimpose a strong jungle leaf pattern against graphic by Agata Wierzbicka, vertically-laid Makassar ebony. Ample, glamorous storage in three leather-lined drawers and cabinet, set on an aged brass base, with a secondary top in vivid, veined rainforest green marble, banded by brass. Drawers and door open by touch. Hand rubbed satin lacquer finish

L51” (130cm) x D13 3/4” (35cm) x H31 1/2” (80cm)

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Deepening our personal vocabulary of contemporary marquetry, we superimpose a strong jungle leaf pattern against graphic, vertically-laid Makassar ebony. Ample, glamorous storage in three leather-lined drawers and cabinet, set on an aged brass base, with a secondary top in vivid, veined rainforest green marble, banded by brass. Drawers and door open by touch. Hand rubbed satin lacquer finish

L51” (130cm) x D13 3/4” (35cm) x H31 1/2” (80cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 pieces + AP

A wonderful commission for a client who travels for work, and needs to get ready quickly for trains, boats and planes. Inspired by vintage steamer trunks, elf & Bell’s Steamer Dressing Cabinet in burr walnut, walnut, bird’s eye maple, mirror, leather, LED lighting and gold leaf opens to reveal generous storage in two stacks of traditionally made drawers, with a lit swivel mirror, shelving on the back.

W25.5” (65cm) x D15 3/4” (40cm) x H71” (180cm)

Photos by Roland Paschhoff

Information on request

Photo by plpix.com

Information on request

Photo by plpix.com

2016

Unique piece

Part of a prestigious commission to design and make conference furniture for the listed building housing the Department of Enterprise and Employment, the Ink Cabinet features drawings of Irish sculptor Gabriel Hayes’ Brutalist bas-relief carvings punctuating the facade of the 1942 Kildare Street architectural gem. A pair of Ink Cabinets (fraternal twins) serve the 7M conference table and 24 chairs. Both ends of the conference table top feature drawings of Lugh, Celtic god of light, launching a flight of jets, a reference to Ireland’s burgeoning air industry at Shannon Airport in the early 1940’s. The table’s pedestal bases refer to Ireland’s important manufacturing industry.

W50.5” (128cm) x D23” (58cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2006

Limited edition of 12 pieces + AP

Curator at the National Museum of Ireland Dr. Jennifer Goff describes the Sedona Sideboard as “a true modern classic.” Shown here in solid cherry, with Australian silky oak. The drawers are full extension with concealed runners; the drawer fronts are pinned with bamboo. The drawers and sliding doors feature silky oak-inlaid recessed handles. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L109.5” (278cm) x D18” (45cm) x H31” (78cm)

Photos by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Proportion, proportion, proportion! Zelouf & Bell’s Rainforest Console in Makassar ebony, set on an aged brass plinth, features two drawers and a cabinet, with custom rock crystal and brass pulls and a secondary table top in vivid, veined, rainforest green marble, banded by brass. Hand rubbed satin lacquer finish.

W51” (130cm) x D14” (35cm) x H31.5” (80cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 pieces + AP

From Zelouf & Bell’s Floating World series, the Danu Console merges sliding doors with solid wedge lattice over fumed figured eucalyptus (an architectural detail seen in traditional wooden houses in Kyoto) with an acid-etched steel lace panel, playing with the concept of display as conceal/reveal. What is displayed behind the steel lace panel seems to shimmer and float. In quarter cut wenge, fumed figured eucalyptus, acid-etched steel, LED lighting. Hand rubbed oil finish.

W55” (140cm) x D14” (36cm) x H35.5” (90cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 pieces + AP

Inspired by William Morris wallpaper, Zelouf & Bell’s Oak Leaf Cabinet in gorgeously figured and solid mahogany features intricate marquetry in ripple sycamore in a green Bolivar background. The doors open by touch. The perfect hall piece, or a place to store glassware or love letters! hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

W53.5” (135cm) wide x D14” (36cm) x H35.5” (90cm)

Photos by Roland Paschhoff

2014

Edition of 6 pieces + AP

Petite Temple Desk in fumed figured eucalyptus, with polished aluminium drawer pulls and feet, grey ripple sycamore drawer sides, leather drawer bottoms, secret compartment. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L55” (140cm) x W19.75” (50cm) x H29.5” (75cm)

Photo by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2017

Limited edition of 6 pieces + AP

Zelouf & Bell’s Danu Flatscreen Cabinet features elements of our lattice series, with solid wenge lattice panels seen in traditional timber houses in Kyoto and used as a detail in Arts + Crafts architecture in the USA, i.e. Frank Lloyd Wright-designed homes. The bold wenge lattice work is softened by a background of pale pink ripple sycamore.

How it works: the door concealing the flatscreen, when pushed in, smoothly runs in and down, allowing the user to then guide it all the way down from the top of the cabinet door, ending up behind the lower hinged doors, a low-tech solution we’ve engineered, designed and developed. The cabinet’s carcase and solid frame are fumed figured eucalyptus, with solid wedge lattice, set on a solid wenge base. Blush pink ripple sycamore ‘lines’ the cabinet doors; the interior of the cabinet is pink ripple sycamore. The lower cabinet opens with a recessed channel handle at the top; two adjustable height shelves offer storage.

W44.5” (113cm) x D17.75” (45cm) x H65.5” (166.5cm)

Photos by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2018

Edition of 6 + 1AP

Zelouf & Bell’s commissioned Gazelle Desk in figured mahogany with carved walnut gazelle horn front legs and drawer pulls with walnut cabriole back legs resonates with the architectural details in the Hemingway Study, and poetically with the Hemingway legend. Figured mahogany, walnut, ripple sycamore drawer interiors, forest green leather, brass. Hand rubbed satin lacquer.

Photo by Roland Paschhoff

2018

Edition of 6 + 1AP

Zelouf & Bell’s commissioned Gazelle Desk in figured mahogany with carved walnut gazelle horn front legs and drawer pulls, with walnut cabriole back legs resonates with the architectural details in the Hemingway Study, and poetically with the Hemingway legend. Figured mahogany, walnut, ripple sycamore drawer interiors, forest green leather, brass. Hand rubbed satin lacquer.

Photo by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2010

Edition of 6 pieces + AP

Work, dream, dither in the curved embrace of Zelouf & Bell’s Fan Desk, in Makassar ebony, with ripple sycamore or bird’s eye maple secondary top and lower edge detail. Bow-fronted drawers and cabinet doors. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

L86.6” (220cm) x D31.5” (80cm) x H30.3” (77cm)

Photo by Roland Paschhoff

2008

Edition of 6 pieces + AP

While the form of the Gazelle Desk and its classically curved cabriole back legs are reminiscent of Art Deco furniture designer Émile-Jacques Ruhlmann, the hand carved ebonized solid walnut font legs are inspired by gazelle horns, the hematite and wenge drawer pulls by body piercings. The desk is traditionally made with hand cut dovetails, its drawers fitted with full extension concealed runners and soft closure mechanism. Hand rubbed hard wax oil finish.

L71” (180cm) x W23.5” (60cm) x H29.5” (75cm)

Photo by Roland Paschhoff

Information on request

Photo by plpix.com

Information on request

Photo by Peter Fritz

2004

Inspired by a bridge on the M50 heading towards Dublin Airport, the Span dining table features a curved, solid wood, brick-laminated base veneered with selected walnut. Hand rubbed oil or satin lacquer finish. Available in custom sizes, materials and finishes.

L122” (310cm) x W43.5” (110mm) x H29.5” (75cm)

Photo by Roland Paschhoff

2004

Inspired by a bridge on the M50 heading towards Dublin Airport, the Span dining table features a curved, solid wood, brick-laminated base veneered with selected walnut. Hand rubbed oil or satin lacquer finish. Available in custom sizes, materials and finishes.

L122” (310cm) x W43.5” (110mm) x H29.5” (75cm)

Photo by Roland Paschhoff

2016

Zelouf & Bell’s Golden Gate Table takes its cue from San Francisco’s iconic bridge, reimagined upside down, for Silicon Valley clients. A feat of engineering, the tabletop seems to hover over the base, poised on the tips of the arch, its outstretched span balanced below. in solid mahogany, with a hand rubbed satin lacquerer finish. Available in custom sizes/materials/finishes.

L165.5” (420cm) x W51” (130cm) x H29.5” (75cm)

Photo by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

1995

Form follows function in Zelouf & Bell’s Folding Trestle Table, shown here in walnut. The solid walnut legs fold away, fitting neatly inside the tabletop. The closed table may be put away or used as a shelf(brackets and custom saddlery-leather strap provided, not shown). Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes. Folding stools available.

L90.5” (230cm) x D28.75” (73cm) x H29.5” (75cm)

Photos by Roland Paschhoff

2014

Zelouf & Bell’s Dark Knight Dining Table, to seat 8/10, fuses the excellence of traditional cabinet-making techniques with contemporary design. Starburst-laid selected European walnut, ebonized solid walnut, polished aluminum inlay. Hand rubbed satin lacquer finish. Available in bespoke sizes/materials/finishes.

Diameter 71” (180cm) H29.5” (75cm)

Photos by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2013

Inspired by the Normandy Hotel in San Juan, Puerto Rico (the hotel itself taking its cue from a streamline moderne ocean liner of the same name), this dining table, to seat six very comfortably, features a series of open frames referencing the hotel’s distinctive architectural footprint, set on a single polished aluminium open frame at the floor. Each timber frame (made from selected veneer, available in a choice of pressure-dyed colours and species, including highly figured timbers like eucalyptus and ripple sycamore). Each timber frame is supported on elegant columnar legs. Available in custom sizes/materials/finishes.

OVAL 63” x H29.5” (75cm)

Photos by Roland Paschhoff

2006

Zelouf & Bell’s Celtic Conference Table, inspired by the Book of Kells, is a feat of marquetry, using natural and pressure-dyed timbers inlaid into a ripple sycamore background.

Irish Stock Exchange, Dublin

Information on request

Information on request

Government Buildings, Dublin

Information on request

Kildare Street, Dublin

2016

Part of a prestigious commission to design and make conference furniture for the listed building housing the Department of Enterprise and Employment, the Ink Conference Table and Cabinets features drawings of Irish sculptor Gabriel Hayes’ Brutalist bas-relief carvings punctuating the facade of the 1942 Kildare Street architectural gem. A pair of Ink Cabinets (fraternal twins) serve the 7M conference table and 24 leather and walnut chairs. Both ends of the conference table top feature drawings of Lugh, Celtic god of light, launching a flight of jets, a reference to Ireland’s burgeoning air industry at Shannon Airport in the early 1940’s. The table’s pedestal bases refer to Ireland’s important manufacturing industry.

W50.5” (128cm) x D23” (58cm) x H31.5” (80cm)

Photos by Roland Paschhoff

Embassy of Ireland Residence, Ottawa

Photos by Peter Fritz

Embassy of Ireland Residence, Ottawa

Photos by Peter Fritz

Embassy of Ireland Residence, Berlin

Photos by plpix.com

2020

Zelouf & Bell’s Stones in a Pond End Tables in black bolivar inlaid with nickel feature a graphic signature motif inspired by Kansai Yamamoto’s jumpsuit for Bowie’s 1974 Aladdin Sane tour (Yamamoto himself inspired by an Oskar Schlemmer costume for a Bauhaus ballet); polished stainless steel base. Hand rubbed satin lacquer finish; available in custom sizes,/materials/finishes. Photo by Roland Paschhoff.

2020

Zelouf & Bell’s Stones in a Pond End Tables in fumed figured eucalyptus inlaid with brass feature a graphic signature motif inspired by Kansai Yamamoto’s jumpsuit for Bowie’s 1974 Aladdin Sane tour (Yamamoto himself inspired by an Oskar Schlemmer costume for a Bauhaus ballet); brass base. Hand rubbed satin lacquer finish; available in custom sizes,/materials/finishes. Photo by Roland Paschhoff.

2020

Writer Robert MacFarlane chose cairn as a Word of the Day during the pandemic, (from the Gaelic càrn), a stone-stack that acts as path marker, a guide indicating the way forward during bad weather, when the route is uncertain and the going tough. More than just an encroachment of boulders, it means there are those who’ve preceded us, once lost themselves, and, having managed to find their way, made a conscious decision to leave something meaningful behind. Zelouf & Bell’s Cairn tables act as anchor pieces, at either end of a sofa or next to a club chair, in classic or contemporary interiors. Available to order, in a selection of timbers, including figured mahogany, fumed figured eucalyptus, walnut, cherry, oak, ripple sycamore and bird’s eye maple.

Photo by Roland Paschhoff

2020

Writer Robert MacFarlane chose cairn as a Word of the Day during the pandemic, (from the Gaelic càrn), a stone-stack that acts as path marker, a guide indicating the way forward during bad weather, when the route is uncertain and the going tough. More than just an encroachment of boulders, it means there are those who’ve preceded us, once lost themselves, and, having managed to find their way, made a conscious decision to leave something meaningful behind. Zelouf & Bell’s Cairn tables act as anchor pieces, at either end of a sofa or next to a club chair, in classic or contemporary interiors. Available to order, in a selection of timbers, including figured mahogany, fumed figured eucalyptus, walnut, cherry, oak, ripple sycamore and bird’s eye maple.

Photo by Roland Paschhoff

2018

Edition of 6 + 1AP

Zelouf & Bell’s dreamy Cosmos Low Table in grey ripple sycamore is inlaid with constellations of sterling silver stars across the tabletop, set on a brushed brass base, adding unexpected warmth. Hand rubbed satin lacquer finish. Available in custom sizes/materials/finishes.

39.5” square x H13.75” | 1000 mm square x H350 mm

Photo by Roland Paschhoff

2007

Limited edition of 6 pieces + AP

Zelouf & Bell’s Koi Noir is a meditative slice of pond in slip matched, rift-cut bog oak, with hand cut marquetry in a restricted palette of black and white natural and pressure-dyed timbers. 20 coats of hand rubbed high gloss lacquer lend a reflective, watery quality to the surface. A larger, rectilinear version is in the permanent collection of the Museum of Ireland at Collins Barracks. Available in custom sizes/colours.

35.5” (90cm) square x H15” (38cm), as shown

Photos by Roland Paschhoff

2019

Zelouf & Bell’s Stella’d Cocktail Table riffs on graphic optical patterns, the mesmerising pattern deepening the heady effects of cocktails.. Its fumed figured eucalyptus tabletop is inlaid with ripple sycamore stringing, with ripple sycamore interior, grounded on a wenge plinth. Its shape, a kind of deep cross, echoes Frank Stella’s painting on ply, 6 Mile Bottom, in the Tate Modern. The perfect place to enjoy a drink, while serving double duty, Stella’d conceals bottles, barware, games, books and magazines. Available to order, customized to suit your storage requirements. Hand rubbed satin lacquer finish. Edition of 6 + AP. Photos by Roland Paschhoff.

L1500 x W860 x H430mm

2019

Limited edition 1/6 + AP

An antidote to dark days, Zelouf & Bell’s lacquered Kiku Console table takes its cue from vintage kimono fabric and pop artists Takashi Murakami and Warhol, both of whom play with chrysanthemum as subject. Hand rubbed gloss lacquer finish; solid brass base.

H800 x W1000 x D300mm

Photo by Roland Paschhoff

2019

Limited edition 1/6 + AP

An antidote for dark days, Zelouf & Bell’s lacquered Kiku Nesting tables take their cue from vintage kimono fabric and pop artists Takashi Murakami and Warhol, both of whom play with chrysanthemum as subject. Hand rubbed high gloss lacquer finish; solid brass or chrome-plated brass bases.

H580 X D300 X W500 / H530 X D300 X W446 / H480 X D300 X W392mm

Photo by Roland Paschhoff

2020

Limited edition 1/6 + AP

An antidote to dark days, Zelouf & Bell’s lacquered orange Kiku Nesting tables take their cue from vintage kimono fabric and pop artists Takashi Murakami and Warhol, both of whom play with chrysanthemum as subject. Hand rubbed gloss lacquer finish; solid brass bases.

H580 X D300 X W500 / H530 X D300 X W446 / H480 X D300 X W392mm

Photo by Roland Paschhoff

2018

Limited edition of 8 sets + AP

Zelouf & Bell’s set of three Plum Blossom Nesting Tables in black Bolivar feature delicate marquetry branches and blossoms in figured white anegre, dusky pink and muted green bird’s eye maple and mother of pearl. The gently curved solid brass bases are chrome plated; hand rubbed high gloss lacquer finish.

Photos by Roland Paschhoff

2018

Edition of 6 + 1AP

Zelouf & Bell’s Blue Butterfly Bedside Cabinets feature graphic fragments of monarch butterfly wings created with marquetry using pressure-dyed timbers (black bolivar, electric blue ripple sycamore, ivory figured anegre, grey eucalyptus) inlaid in a cobalt bolivar background. The traditionally made drawer is lined with ink faux shagreen. Hand rubbed satin lacquer finish. Available in custom sizes/heights/materials/finishes.

H620 x W640 x D440mm | H24.5” x W25" x D17”

2016

Limited edition of 6 + AP

Zelouf & Bell’s Monarch Butterfly End tables are delicate-looking yet surprisingly strong and stable. Graphic fragments of butterfly wings created with marquetry using pressure-dyed timbers inlaid in a smoked oak background. Hand rubbed high gloss lacquer finish.

W11.5” (29cm) x D17” (44cm) x H20” (51cm)

Photos by Roland Paschhoff

2016

Limited edition of 6 pieces + AP

Zelouf & Bell’s Koi Pond in the Spring is a meditative slice of pond in slip matched, rift-cut bog oak, with hand cut marquetry in a colourful palette of pressure-dyed timbers. 20 coats of hand rubbed high gloss lacquer lend a reflective, watery quality to the surface. A noir version is in the permanent collection of the Museum of Ireland at Collins Barracks. Available in custom sizes/colours.

L66” (167cm) x W36” (91cm) x H16” (40.5 cm)

Photos by Roland Paschhoff

2016

Limited edition of 6 pieces + AP

Zelouf & Bell’s Koi Pond in the Spring is a meditative slice of pond in slip matched, rift-cut bog oak, with hand cut marquetry in a colourful palette of pressure-dyed timbers. 20 coats of hand rubbed high gloss lacquer lend a reflective, watery quality to the surface. A noir version is in the permanent collection of the Museum of Ireland at Collins Barracks. Available in custom sizes/colours.

L66” (167cm) x W36” (91cm) x H16” (40.5 cm)

Photos by Roland Paschhoff

2015

Limited edition of 6 pieces + AP

Zelouf & Bell’s Koi pond in the Snow low table is a magical slice of wintery pond in sapphire ripple sycamore, with marquetry in grey and ivory figured anegre, ebony, red birch, orange bolivar, yellow koto, inlaid in a black bolivar background. Hand rubbed high gloss lacquer finish. Available in custom sizes/materials/finishes.

35.5" (90cm) square x H15.75” (40cm)

Photos by Roland Paschhoff

2014

Limited edition of 6 pieces + AP

Part of Zelouf & Bell’s Channel series, the Koi Shadows Low Table in fumed oak features a stream of grey ripple sycamore, with marquetry koi in red birch, black bolivar and ivory ripple sycamore. Hand rubbed high gloss lacquer finish. Available in custom sizes.

35.5” (90cm) square x H15” (38cm), as shown

Photos by Roland Paschhoff

2014

Embassy of Ireland Residence, Beijing

Information on request

Photo by Roland Paschhoff

2013

David Hicks, Paris

Information on request

Photo by Roland Paschhoff

Information on request

Photo by Roland Paschhoff

2019

Limited edition 1/6

Zelouf & Bell’s octagonal Castle Games Table in Makassar ebony, ripple sycamore, wenge, burr walnut, ebonized walnut, lambskin, Havana brown leather and gold leaf features a marquetry chess board and, on the flip side, a backgammon board. The custom chess and backgammon pieces and accessories are stored in lambskin-lined drawers either side of the table; concealed pull-out drinks holders feature gold-embossed leather coasters. Custom accessories include black and magnolia leather dice cups, two pairs of precision dice in black and ivory and a leather doubling cube embossed with gold leaf. Shown here with a pair of Edge Director’s Chairs in walnut and Havana brown leather, with sculpted seats. Hand rubbed satin lacquer finish; oil finished chairs.

H785 x W800mm or to suit

Photos by Roland Paschhoff.

2019

Limited edition 1/6

Zelouf & Bell’s octagonal Castle Games Table in Makassar ebony, ripple sycamore, wenge, burr walnut, ebonized walnut, lambskin, Havana brown leather and gold leaf features a marquetry chess board and, on the flip side, a backgammon board. The custom chess and backgammon pieces and accessories are stored in lambskin-lined drawers either side of the table; concealed pull-out drinks holders feature gold-embossed leather coasters. Custom accessories include black and magnolia leather dice cups, two pairs of precision dice in black and ivory and a leather doubling cube embossed with gold leaf. Shown here with a pair of Edge Director’s Chairs in walnut and Havana brown leather, with sculpted seats. Hand rubbed satin lacquer finish; oil finished chairs.

H785 x W800mm or to suit

Photos by Roland Paschhoff.

2009

Limited edition of 6 pieces + AP

Play! City Games Table with both chess and backgammon boards and a pair of traditionally made, goatskin-lined drawers (with hand cut dovetails) to neatly stash the pieces and accessories. Makassar ebony, ripple sycamore, wenge, burr walnut, ebonised cherry, goatskin, Havana brown leather, gold leaf. The custom chess and backgammon pieces and accessories are stored in drawers either end of the table; the table top features a chessboard on one side, a backgammon board on the other. The Gazelle chairs in ebonised cherry have curved, laminated backs for lumbar support and sculpted seats. Available in custom sizes/materials/finsihes.

L55” (140cm) x W31.5” (80cm) x H29.5” (75cm)

Photo by Roland Paschhoff

2008

Limited edition of 6 pieces + AP

Play! Lighthouse Games Table with both chess and backgammon boards and a pair of traditionally made, goatskin-lined drawers (with hand cut dovetails) to neatly stash the pieces and accessories. Blonde-on-blonde timbers, including ripple sycamore and bird’s eye maple, goatskin, Havana brown and blonde leather. The custom chess and backgammon pieces and accessories are stored in drawers either end of the table; the table top features a chessboard on one side, a backgammon board on the other. The Gazelle chairs in ebony and ripple sycamore have curved, laminated backs for lumbar support and sculpted seats. Available in custom sizes/materials/finsihes.

L55” (140cm) x W31.5” (80cm) x H29.5” (75cm)

Photo by Roland Paschhoff

2019

Zelouf & Bell’s Bamboo Bench in walnut, patinated bronze and ink. Ink wash painting, or Sumi-e, is a Japanese paint wash technique using ink in various concentrations, traditionally made with soot and animal glue. Hand rubbed satin lacquer finish. Edition of 6 + 1AP. Photos by Roland Paschhoff.

H20.7” x W59” x D14” | H525 x W1500 x D356mm

2019

Zelouf & Bell’s Bamboo Bench in walnut, patinated bronze and ink. Ink wash painting, or Sumi-e, is a Japanese paint wash technique using ink in various concentrations, traditionally made with soot and animal glue. Hand rubbed satin lacquer finish. Edition of 6 + 1AP. Photos by Roland Paschhoff.

H20.7” x W59” x D14” | H525 x W1500 x D356mm

2019

Zelouf & Bell’s Bamboo Bench in walnut, patinated bronze and ink. Ink wash painting, or Sumi-e, is a Japanese paint wash technique using ink in various concentrations, traditionally made with soot and animal glue. Hand rubbed satin lacquer finish. Edition of 6 + 1AP. Photos by Roland Paschhoff.

H20.7” x W59” x D14” | H525 x W1500 x D356mm

2020

An antidote to dark days, Zelouf & Bell’s lacquered Kiku Variations Bench takes its cue from vintage kimono fabric. Figured mahogany, patinated bronze, hand rubbed high gloss lacquer finish. Edition of 6 + 1AP. Photos by Roland Paschhoff.

H20.7” x W59” x D14” | H525 x W1500 x D356mm

2020

An antidote to dark days, Zelouf & Bell’s lacquered Kiku Variations Bench takes its cue from vintage kimono fabric. Figured mahogany, patinated bronze, hand rubbed high gloss lacquer finish. Edition of 6 + 1AP. Photos by Roland Paschhoff.

H20.7” x W59” x D14” | H525 x W1500 x D356mm

Available in a choice of timber and upholstery

Information on request

Photos by Roland Paschhoff

Zelouf & Bell’s Edge chairs are inspired by the classic Captain’s chair, low-backed and comfortable, amply-sized yet lightweight, with sensuous curves, a curved solid timber back for comfort, solid sculpted saddle seat and a profiled edge on the underside of the armrests. The legs curve out and taper slightly towards the base. Extremely labour-intensive, the Edge is characterised by its series of curves and traditional joinery. Its sister chair, the Edge Director, features a pliable leather back. Hand rubbed hardwax oil finish.

Photo by Roland Paschhoff

Available in a choice of timber and leather

Information on request

Photos by Roland Paschhoff

LADDERBLACK FERN CHAIR (Left)

2012

Limited edition of 12 pieces + AP

Zelouf & Bell’s Ladderblack Fern Chair in ebonised cherry was acquired by the National Museum of Ireland for its permanent collection. Taking its cue from a high-backed Mackintosh chair, the Ladderblack plays with proportion in Alice-in-Wonderland fashion, from its dainty upholstered Irish linen seat to the delicate stretch of Carlow ferns floating in resin, commissioned by Zelouf & Bell from Sasha Sykes of Farm21. Hand rubbed satin lacquer finish.

LADDERBLACK SAKURA CHAIR (Right)

2014

Limited edition of 24 pieces + AP

Zelouf & Bell’s Ladderblack Sakura Chair in ebonised cherry takes its cue from a high-backed Mackintosh chair, playing with proportion in Alice-in-Wonderland fashion, from its dainty upholstered Irish linen seat to the delicate stretch of custom etched, painted Artel glass panels in a cherry blossom motif. Hand rubbed satin lacquer finish.

H59” (150cm)

Photo by Roland Paschhoff

Information on request

Photo by plpix.com

2008

Information on request

Photo by Roland Paschhoff

A walnut bedside cabinet with a bow-fronted drawer and door. The specially designed handles are in sterling silver; the drawer is all hand cut dovetails, with full extension hidden runners. The drawer sides and bottom are maple.

2001

Originally commissioned for the Presidential Suite in the Irish State Guesthouse Farmleigh, Zelouf & Bell’s Quill Bed is a classic post bed in solid hardwood, with a gently curved headboard and footboard, inlaid with sterling silver at the base of each leg. The tapering posts are capped by a silvered finial. The mattress rests on sturdy, solid wood lathes, allowing it to breathe. Available in a choice of hardwoods and selected figured veneers. Choose from a hand rubbed hardware oil finish, satin or high gloss lacquer finish.

Acquired by the National Museum of Ireland as part of its permanent collection, the Drum cabinet has a bow-fronted, traditionally made drawer with hand cut dovetails, with jeweller-made pulls in sterling silver. Available in a selection of timbers.

Photo by plpix.com

Information on request

Photo by Roland Paschhoff

2015

A stylish contemporary highboy in solid walnut, offering ample storage in seven traditionally made drawers, with aromatic cedar drawer backs and tapered saddlery leather drawer pulls. Hand rubbed hardwax oil finish.

W25.5” (65cm) x D17.75” (45cm) x H57” (145cm)

Photo by Roland Paschhoff

2003

Zelouf & Bell’s seven-drawer Cleft Highboy in solid quarter sawn Irish oak features a ribbon of hand cleft oak, creating a natural undulation with a sensual texture. The drawer fronts are pinned with bamboo; aromatic cedar drawer backs act as a natural moth repellent, making it a perfect place to store woollens and natural fabrics. The drawers open with a bird’s beak chamfer either side, with a concealed soft closure mechanism. Hand rubbed hardwax oil finish.

W25.” (63.5cm) x D16” (40.5cm) x H56.5” (143.5cm)

Photo by plpix.com

2011

Limited edition of 3 pieces + AP

Look sharp! The Blade cabinet seems on edge, its solid walnut carcase poised on Sabatier Chef’s knives, leather-lined drawers punctuated by steak knife hilt pulls. Each quartered walnut drawer is interchangeable, easily swapped out with another drawer to vary the display. A secret locking mechanism keeps collections secure.

Photo by Roland Paschhoff

2008

Deco-inspired De Lempicka Dressing Table in solid wenge and Makassar ebony offers ten drawers of generous storage; drawers open by touch, with lime drawer bottoms/sides and backs. A chrome pole bisects three curved wenge shelves. Hand rubbed hardwax oil finish. Available as a desk, in custom sizes/materials/finishes.

L71” (180cm) x D20.5” (52cm) x H31” (78cm)

Photo by Roland Paschhoff

2018

Zelouf & Bell’s Hen Pheasant Feather tray in ripple sycamore features marquetry hen pheasant feathers in natural woods with figured mahogany or aged brass handles. Hand rubbed satin lacquer finish. Available to order, dimensions to suit.

Photo by Roland Paschhoff

2011

Edition of 3 pieces + AP

Branch screen, a spectral stand of silver birch at twilight. Low contrast, tone-on-tone hand-cut marquetry in quarter sawn brown oak wraps around the ‘horizon’ of 5000 year old bog oak panels, grounded by a wedge plinth. The eye fills in details intentionally left out of the pattern. Hand rubbed oil finish.

L71” (180cm) x D2.5” (6.3cm) x H75” (190cm)

Photo by Roland Paschhoff

2017

Zelouf & Bell’s Stella’d Tray means it’s Happy Hour, 24/7! In fumed figured eucalyptus with aged brass handles, inlaid with ripple sycamore, with a hand rubbed satin lacquer finish. Perfect on its own, or as a companion piece to the Stella’d Cocktail Cabinet, resting on the shagreen bar top. Available in a choice of timber, dimensions to suit.

Photo by Roland Paschhoff

2014

Limited edition of 24 pieces + AP

Give the gift of a modern classic home accessory. ZELOUF & BELL’s limited edition cocktail tray is handmade from luxurious materials in our Irish workshop, featuring polished aluminium handles and a hand rubbed satin lacquer finish, inlaid discreetly with Z+B's sterling silver logo. The makassar ebony and wenge tray comes wrapped in a gorgeous fabric sleeve. Happy Hour just got happier!

L18” (45cm) x W13” (34cm) x H1” (3cm)

Photo by Roland Paschhoff

2018

Get all lacquered up with Zelouf & Bell’s Kiku Tray…it’s Happy Hour 24/7! In selected pressure-dyed timber and chrome-plated solid brass. Photo by Roland Paschhoff

2014

Limited edition of 3 pieces + AP

Embrace your inner wild thing! Zelouf & Bell’s Corona Mirror calls on the traditional craftsmanship of Irish saddlery, using saddlery leather pierced by custom-engineered polished aluminium spikes and faceted crystal vintage chandelier drops.

W24” (61cm) x H35” (89cm)

Photo by Roland Paschhoff

Information on request

Photos by Roland Paschhoff

2011

Information on request

Photo by Roland Paschhoff